The beginning of the 20th century was a tumultuous time for all those involved in the process of American filmmaking. There was a massive disconnect between what filmmakers were creating, what exhibitors wanted to show, and what audiences wanted to see. This was exasperated by the introduction and transition from short serial films to the feature. Exhibitors imported assumptions that the public at large wished to see short, individual act films reminiscent of Vaudeville because they were primarily lower class and in the past enjoyed “low art.” In actuality, however, audiences of all socioeconomic backgrounds were wanting the more compelling stories explored in longer features. Increasing the length of films was part of the move towards redefining …show more content…
The upper class was presumed to have had the experience and skills to comprehend such art because of their history of consuming larger dramatic works such as operas and theatre plays. For instance, the January 1914 issue of Reel Life states, “With the Broadway Crowd- considering that sort of audience as a separate class- the fundamental process of enjoying any sort of dramatic amusement is entirely different (P1).” This is supported by the reality that in the past, the entertainment of the masses had always been individual acts, like the one or two reel films. For example, carnivals and Vaudeville featured shorter forms of entertainment and were widely enjoyed (P1). This is significant because it demonstrates how exhibitors believed that the feature film appealed only to the upper classes. Furthermore, it illustrates how exhibitors considered the neighborhoods the theatres resided in to dictate the wants of the audiences, that enjoyment of a film hinged on how the viewers lived. The public at large was assumed to be keen to see “low art” because of their economic status and history of consuming shorter forms of entertainment while the upper class were presumed to desire longer, more compelling stories, or “high
In chapter two of The Cultures of American Film, the main focus is the establishment of studios. As demand for films rose in the early 1900’s, production companies needed to expand; this lead to the creation of large scale studios.
In the article "Why the Audience Mattered in Chicago in 1907” there was an element in the population that was left out of the mainstream focus of the entertainment business. Their cry out for attention created enough noise in the industry that caused laws to be put into place to protect the youth from the hypnotic effect of the big screen.
Films are a large part of our lives here in America where we depend on them to do when we’re bored with nothing to do, or when the snow or rain is falling. We all use movies as a common way to go on dates and be with friends. However, there has become an abundance amount of movies that we can all enjoy throughout our lives. Although not all movies are interesting to all viewers depending on their personality and what they like to watch. I can say for myself that a film that I really enjoy would be “Mean Girls”. In the two thousand four film “Mean Girls” there is a sense of entertainment that helps in combining all the aspects found in a classical film. Classical films having a entertaining and dramatic plot, and a excellent cast.
During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that,
This paper was prepared for Introduction to Film History, Module 1 Homework Assignment, taught by Professor Stephanie Sandifer.
In “A Century of Cinema”, Susan Sontag explains how cinema was cherished by those who enjoyed what cinema offered. Cinema was unlike anything else, it was entertainment that had the audience feeling apart of the film. However, as the years went by, the special feeling regarding cinema went away as those who admired cinema wanted to help expand the experience.
The film industry operates in a continuous cycle, searching for the newest and best pieces to make their movies creative, interesting, and marketable. Historically, the film industry attempts to follow a set structure in an attempt towards success in such a volatile market, however, this approach creates a system much like that of Ford’s Model-T production line, invented in the 1910s, which involved each worker on the line doing a single job. Only a few years later, during the 1920s and 1940s, the film industry showed that they adopted a similar approach to their industry, with each person—actor, director, producer, writer, etc.—performing a distinct role. In the late 1920s, as Hollywood transitioned from silent films to “talkies”, actors and actresses were met with the challenge of adapting to a new role and many of them no longer fit the role required by the growing Hollywood machine. The film Sunset Boulevard (Billy Wilder, 1950) explores and critiques the landscape of the hierarchy and harsh realities of Hollywood. In the same vein as many films of the film noir style, the mood of pessimism and fatalism reflected in the form parallels the reality of many people in Hollywood during the 1900s.
New and exciting technologies have always played a huge role in the culture of American people. When the motion picture came out it was no surprise that both consumers and producers were more than happy to get in on the action. Back in the 1920’s film was still pretty new and was only in black and white with no sound, but the films were always accompanied by orchestral pieces to help set the mood. The art of movie-making has come a long way since then with the addition of not only color and audio, but new techniques and new ideas. Both The Kid and Iron Jawed Angels are very popular films about the early 1900’s. Although they share some common thoughts, but because they were made in two completely different time periods their focuses are
Rarely has a film impacted an audience and held the test of time as the film Gone with the Wind. I have always been curious if director, Victor Fleming and producer, David O. Selznick and screenplay writer, Sidney Howard knew what they were creating a masterpiece and how this film would have such an enormous impact on audiences for years to come. Interestingly enough there were some who thought the film should not be made, as Irving Thalberg said to Louis B. Meyer in 1936, “Forget it Louis, no Civil War picture ever made a nickel” (Ten Films that Shook the World).
This further demonstrates how the affluence of that period enabled people to support this industry and help its enormous growth. It was during the roaring 20s that the first real celebrities began to appear, with the ever-increasing role of cinema having a huge role to play. Similarly their fame contributed to the growing status of Hollywood and the American film industry. (Source J). Charlie Chaplin is one example of an actor that gained worldwide recognition in the twenties; he was particularly famous for his ‘highly visual style of acting’ (Soucre J). The 1920s was often referred to as “The Golden Age of Hollywood” (Source G) emphasizing how this period represents the era of greatest output in the United States movie market [an average of 800 films were produced annually]. ‘The cinema came of age in the 1920s and Hollywood confirmed its position as the “dream factory” of the English- speaking world. It was there that fame and fortune could be found.’ (Source J) This also highlights the growing image of Hollywood ‘throughout the roaring 20s, which started to represent wealth and achievement. ‘The establishment of the Academy Awards showed the maturing cinema as an industry confident of its own technical and artistic standards.’ (Source J) This further shows how there were many other expansions and transformations from this industry that occurred during this period. Artists, directors and other personalities of the film making industry received acknowledgement and recognition of their work in this industry. ‘The awards soon acquired international status’ (Source J) showing how Hollywood’s film industry developed into a global sensation that was supported by people all over
Over the course of approximately one-hundred years there has been a discernible metamorphosis within the realm of African-American cinema. African-Americans have overcome the heavy weight of oppression in forms such as of politics, citizenship and most importantly equal human rights. One of the most evident forms that were withheld from African-Americans came in the structure of the performing arts; specifically film. The common population did not allow blacks to drink from the same water fountain let alone share the same television waves or stage. But over time the strength of the expectant black actors and actresses overwhelmed the majority force to stop blacks from appearing on film. For the longest time the performing arts were
“I’m going to make a name for myself. If I fail, you will never hear of me again” Edward James Muggeridge. True to his words he succeeded in making a name for himself and he created the first movie or “motion picture”. Movies are a rollercoaster ride that transcends people into a whole different world fresh out of somebody’s imagination as seen through the genres of horror, drama, and science fiction. The movie business allows people to break through the burden of everyday life. Considering today’s way of life, people would be lying if they did not admit that movies are an influential entity in our culture. Movies have been successful in ingraining values and elements into society. Movies exaggerate, sensationalize and at
The first movie theatres were rented rooms and music halls.As movies aired popularity and the technology.Movies were an form that captured the interest of the masses worldwide.As a new form of entertainment their success was extremely a made people laugh making the world a happier place to live in after the horrors of WW1.The 1920’s movie goers experience was largely dominated by silent movies but saw the introduction of synchronized sound.The rise of “talkies from the late 1920 onwards led to a radical shake-up of the entertainment industry.Live entertainment went into decline and variety theatres became movie palaces, were eager punters could see exactly the same entertainment as their fellows in Los Angeles,Berlin or Bombay.The belief
The invention of television greatly affected filmmaking in America. Although attendance dropped greatly in movie theatres for a significant time certain elements were employed by the film industry to bring the audience back. Additionally, the Production Code changed during this time as well as the reflection of American culture and social tensions in films.
From the very beginning of the early stages in American cinema, African Americans had a presence on the silver screen. The twentieth century created a new era of cinema that consisted of films produced for and targeted to an all-Black audience. “Race films” which existed in the United States for over thirty years (1913-1948), were films produced by African Americans that focused on Black themes and highlighted the talents of African American directors, producers, scriptwriters, and actors.