Musical Analysis Gcse

Musicals were meant to bring exoticism to people so that people could enjoy and feel like they are somewhere for a couple of hours. What people didn’t see was the deeper meaning that some musicals brought to the surface like segregation, racism, body issues and LGBT. Hairspray and West Side Story are two musicals that bring deep meaning to their musicals if you look hard enough you will find them. Even though there is race faced in both Hairspray and West Side Story that build issues, yet the both come together as a group at the end.

Gone are the days where artist, songwriters, performers, producers and records companies reap full successes of songs through stage performance and radio airplay. Since 1960, a technological evolution has created many changes in how music are made, played and performed. From the era where television and radio was popular with much of its viewers and listeners being the youth to development of the Internet and World Wide Web platforms, music suffered much development. Huge part of these changes was how music was delivered to the audience this time not on the radio or television but on the Internet websites where music

“If you’ve seen one, you’ve seen them all,” remarks Kathy Selden about movies after first meeting silent film star Don Lockwood in the beginning of Singin’ in the Rain (Singin’ in the Rain 17:38). While Kathy was slightly off base when saying that all movies are the same, movies belonging to the same genre often do share certain conventions which author Bernard F. Dick discusses in his book Anatomy of Film and Tim Dirks confirms in his assessment of the genre for the American Movie Classics Company. What do one of the best musicals ever made and the newest musical to receive raving reviews have in common? With 64 years separating Singin’ in the Rain (1952) and La La Land (2016), the advancements in film technology are apparent, but the

First of all the movie won 5 Tony awards and it was number one on the Billboard charts for 12 weeks, and it was on the charts for 245 weeks. Even more, this shows that the movie was a very stupendous one if it was number one for a long time, and on the charts for a lot longer. In addition, the story that the musical has is an excellent one, and here it is. When a man named Harold Hill, who is a traveling con man comes to River City he wants to convince the people of River City to start a band, and he succeeds. He announces to them they need to purchase uniforms and instruments for the band from him, because right away after he got the money he was going to leave. When a woman named Marian starts to realize that he is a fraud, though she doesn’t want to say anything because her brother is thrilled about the new band. In the end of the movie Harold doesn’t leave town after developing feelings for Marian, and he creates the band and makes the town proud, which is where the story ends. Plus, the set of the movie was made to create a town set in the time of 1912, and it came out in 1962. The movie took 18 or more sets to make the movie that it was. For example, The set wasn’t the only thing that took a while, the scenes did too. Also, one of the scenes took eight hours of straight filming for two days, to film it. Lastly

The musical film has always held a special place for me. From my time as a drama student in high school, my eyes have been opened to the amazing world of the musical and especially the musical film. The musical film is a film genre in which the characters sing songs that are integrated into the overall story. Since musicals first began in theaters, musical films usually contain similar elements. These elements often simulate that there is a live audience watching. In a sense, the film viewers become the audience members, at a theater production, as the actor performs directly to them. Due to the popularity of musicals in the theater, the style was quickly brought over into film. In 1927, the musical film genre began

In the course ECE 212 Art & Music for the young child we created an individual lesson plan about music. This lesson plan was about providing a variety of materials to create and instrument. This helped the children thing critically as well as using their small motor skills. Afterward the children will be able to play their instruments that they have just

When I listen to music I always look for a rhythm. The rhythm is important because it makes the song flow. Besides the rhythm I also listen to all the other important elements of music such as the beat, melody, and tempo. I always listen to these elements in music because they're essential parts of a song. Additionally, without rhythm there wouldn't be a song. Moreover, I also listen to the tempo because it determines the pace of the song and the tempo controls whether or not the song is fast or slow.

One of the defended aspect of music, is how versatile this art can be, meaning that music can be expressed with different interpretations. Music has many genera’s, which makes this form of art so appealing to many people, because not everyone listen to the same sounds and rhythm. There are varies songs that truly appeals to me, for many reasons. My top five songs are as follows: Riding Solo by Hippie Sabotage, One Love by Bob Marely, Can’t Hold Us by Macklemore and Ryan Lewis, Boom by Major Lazer and finally Juicy by The Notorious BIG. Being from Jamaica, has had a huge impact of my choice of music I listen to. I listen to reggae, hip-hop, rap and r&b. I choose these songs because they have helped shape who I am today. Major Lazer and Bob

If the context of the film were different, the acting in “Sound of Music” may be considered bad. The characters were too overly expressive and every movement seemed coordinated. It did not seem very natural. However, I think that within the framework of this particular film, the exaggeration in behavior brought light to the movie. In this way, the emotions of the characters resonated with the audience. When the children were scared of the thunder, you could see the fear in both their facial expressions and body language. When they were happily singing in the meadow, you could feel their joy. I think that the incorporation of music really helped to evoke these emotions as

Musicals can be described as any musical performance that includes dialogue, sometimes with music beneath that dialogue. At first glance, the definitions between operetta and Broadway musical appear to be quite similar, however the structure of the musical composition, the subject matter of these two types of performances, and the reasons for production are drastically different. For example, many Broadway musicals have an open-ended run because producers want to garner the highest profits possible. A narrower definition of a Broadway musical is “any performance that incorporates music and dance in one of thirty-eight professional theatres that each seat 500 or more people in the Time Square district of the borough of Manhattan, New York City.” Although this description is very specific geographically, this region is the reason Broadway musicals have their current reputation and recognizable name.

Today’s audiences can almost find it abhorrent. They are socially aware and informed of current affairs. Musical theatre has advanced technically, intellectually, is universally popular and overflowing with cultural relativism. From 1960 onwards, Broadway came to rely more on its directors, librettists and lyricists. The emphasis of importance being on the directors. Tom O’Horgan, Gower Champion, and most of all, Bob Fosse gave the period some of its sustained achievements. These musicals are one of the most collaborative of art forms. Actors no longer had chunks of dialogue interspersed with musical interludes. The musical became seamless, with characters singing when their emotions became too overbearing for speech. The songs encouraged the musical to move forward and not stand still whilst the ‘star’ sang their showstopper! Stephen Sondheim advocated the “conceptual musical”. He subordinated every aspect of the work to his personal vision. As a result increasing intellectualised musicals confronted audiences that had frequented the theatre as a means of escape. When a writer is responsible for the book and the lyrics - as, for example, Oscar Hammerstein and Alan Jay Lerner, were - that writer may be more able to regularly address the same concerns than a composer-lyricist can. Nonetheless, Sondheim has managed to create a body of work that is clearly of a piece, despite the fact that many of the shows

Evaluation: The website Math and Music is a great tool that explains how math factors into the theory behind music. There is a large amount of information displayed in a user-friendly format.

Few people understand that music is actually connected to math. Most people i believe have more of an idea of what music is than what they know what math is. Music is scales and notes. Math is numbers and symbols. Deep in the core of music, music is really math. They also have a strange connection: Music is the only art form where the form and the medium are the same. Math is the only science where the methods and the subject are the same. Math is the study of math using math. Music is only created and experienced as music. Thus, there is a natural connection between mathematics and music: Both are experienced as pure objects of the brain, and both have meaning outside of the brain only by artificial connections. Math and music are both universal. Math is applied across the world to find solutions to everyday problems while music is played around the world and is present in every world culture throughout history. Both math and music rely on spacing. The amount of data or time a note is held connects math to music. A measure is relative to a line graph and a note to a number or fraction. There are many things that connect with music and math. which are music time, Reading music and fractions and last but not least the pythagorean scale.

It is with these words that Harold Zidler—the owner of the titular nightclub in Baz Luhrmann’s Moulin Rouge!— describes a theatre play to his financier, and at the same time, fittingly describes not only the key features of Moulin Rouge!, but also the defining characteristics of Luhrmann’s signature genre, ‘Red Curtain Cinema’, to the audience of the film. The term, coined by the director himself, is distinguished by films that follow a simple, recognisable narrative set in a world of ‘heightened reality’: Luhrmann describes the central parameters as a “simple, even naïve story based on a primary myth…set in a heightened interpretation of a world that is at once familiar yet distant and exotic”. The use of music, set, costumes, as well as more technical features such as rapid cuts and editing are employed to make the simple story more dramatic, amplifying the movie experience to a degree that viewers are made wholly aware of the artistry and technology involved. In contrast to naturalistic cinematography which typically aims to mimic reality as if the film could genuinely be taking place somewhere in the world, Red Curtain films keep the audience engaged at all

What makes a classic movie, a classic? Some people may say it is the actors or actresses in the movie, the directors, or the setting. Although all of these components are important in a movie, they do not make the movie a classic. A classic movie is all about connection the movie makes with its audience. The more emotion the movie can draw from its viewers, the more the viewers can connect with the movie. Having a good plot and story is a must to consider a movie to be a classic. A classic movie also needs to be memorable to the audience. With a classic it is all about the lasting impression on its viewers (Weeks par. 5). The new 2016 movie, Sing, meets all the requirements to be a classic. Sing is an animated musical comedy directed by Garth Jennings and Christophe Lourdelet. Sing is rated PG, and has won the Top Box Office Films from ASCAP Film and won Outstanding Music Supervision from Hollywood Music In Media Awards in 2016 (Awards par. 1). The movie, Sing, is about a Koala named Buster Moon who hosts a singing contest to help his failing theater business. Sing is a classic movie that connects with the viewers, has a good story, and is memorable to the viewers.