Who knew that by adding a little light or even moving the camera in a different direction you can change the mood and the emotion of the scene. Tim Burton uses lightning, camera movements, shots and framing. To create and emphasize his characters. By using cinematic techniques to make his characters appear mysterious, suspenseful, horrifying and wonderful at the same time. Even during a scary dark scene Burton always turns that around with a pop of light. When the first scene rolled around of the castle it was very dark and bland colors with little to no light. But when it gave the overview of the neighborhood all you saw was bright happy colors. No house was sad and grey, this made the castle look even more scary, big and mysterious to the outsiders. Another way Tim Burton used lighting was in Charlie …show more content…
This shit was used so you could see Edward’s reaction for outside the car to his first time in a car and being outside the grand castle. In Big Fish a zoom in was used in Edward Bloom dying. This emphasized how sick he was and to provoke a sad reaction from the viewers. Camera movements was used a wide variety of times throughout Tim Burton's films, it gave insight on his character's personality and their gruesome ways. Tim Burton uses shots and framing to establish his points of view so that you can see what Burton sees. In Charlie and the Chocolate Factory Burton used a close up shot of the children, their parents and history is a one of a kind thing no one has seen before, and to make the audience fall in awe at the wonders of the factory. A close up shot was used in Edward Scissorhands to show Edward’s confusion on Peg using makeup to cover his scars. They used this shot to show how he has quite a lot of scars from the cuts he gave himself showing that he struggles with his hands. In Big Fish there was a long shot from across the river looking towards the cave. This showed how large in comparison he was to Edward and how far, lonely and frightening the cave
The same cinematic technique is utilized in Charlie and the Chocolate Factory. In the inception of the film, darker and paler shades of colors are emphasized in the scenery. Especially inside Charlie’s home. However, once inside the chocolate factory, conspicuous colors are introduced. Even though the factory seemed like an exuberant center, there was still a profound void inside the hearts of Wonka, the obnoxious children, and non-proficient parents, not including Charlie and his grandfather. They were lacking the warmth of family unity and self content amid impecuniosity, that Charlie and his grandfather possessed. One can discern that Burton’s style is highly influenced by his lighting effects which in turn affects the tone, mood, and imagery of the film. The sharp contrast of coloration, establishes symbolism, tone, mood, and imagery. Another apparent effect of lighting is the mood it synthesizes. During the scenes in which the figures are pale or low key, the viewer feels uncomfortable. The reverse occurs during the high key scenes. Without the implementation of high key and low key, Burton’s message would have never been fully apprehended in both of the films.
In conclusion, Tim Burton uses lighting, camera movements, and music/sound to depict unique cinematic masterpiece. He utilizes reverse lighting in “Edward Scissorhands” and in a multitude of his movies. He uses diegetic and non-diegetic sounds to depict mysterious scenes. Burton also uses camera movement to make even more to the immense wonder and suspense of his films. Tim Burton has a
In Tim Burton films and shorts he uses cinematic techniques such as lighting, music/sound, and editing to his advantage to portray and emphasize the atmosphere of specific scenes in his movies. Edward Scissorhands, Nightmare Before Christmas, and Charlie and the Chocolate Factory (Burton edition) all facilitate these methods distinctively. These techniques influence and the manipulate the audience's view on the film. If the music/sound is cheerful in the beginning the audience will most likely perceive and predict that the whole movie will be jubilant. Concerning lighting, If a scene has faint, shadowy illumination the scene will most likely be identified as glum or sullen. The opposite of this would supply the scene with bright, colorful
“One person’s crazyness is another person’s reality” was once said by the famous director, author, inspirer, Tim Burton. He creates films that have surprised many of his supporters. Most of the films he has directed have had elements of horror and modernness. Tim Burton uses cinematic techniques such as flashbacks, high key lighting, and dolly/tracking to express his style natural creepiness throughout his movies.
A cinematic technique used in the Tim Burton movies is eye level frame. Charlie and the chocolate factory, Edward scissorhands and The nightmare Before christmas all use this cinematic technique. “Charlie and the chocolate factory” uses this technique when charlie is sitting down with his family at night eating dinner, the camera frame is always at eye level when the family is taking to each other, making them all equal to one another. Tim burton uses this technique in “Edward scissorhands”, again they are all sitting together at dinner and the frame being used is eye level creating the feeling that no one is greater than the rest. Also using the cinematic technique is “The
In Edward Scissorhands, Burton uses close up shots to show a particular emotion on a character’s face. An example of this would be when Peg first enters Edward’s home on the hill. Peg’s emotion shows the viewers that she is frightened when Edward comes out of the shadows while wearing all black. Since Burton is showing Peg’s emotion, he wants the audience to feel the same frightening emotion that Peg is feeling. Another good example of this tool that Burton uses is the scene when he uses a close up on Charlie’s face when he finds a golden ticket.
Tim burton mostly uses close up when he wants to capture a character’s facial expressions. For example, in Edward Scissorhands when he first met Pag and she was feeling on his face then she starts to put product on his face so his scars will start to go away. I used this scene for an example because she’s used a lot of facial expressions to show him that she can help him and she felt bad because he was all in a huge castle
To some, Tim Burton’s works display frightening, abstract images. To Burton, his work represents positivity, “I never really saw them [films] as dark. They always seemed more positive in a way.” People all view objects differently. His fictional films include, Edward Scissorhands, Alice and Wonderland, and Big Fish, along with many others. In these films, Burton uses cinematic techniques that shape the characterization. Tim Burton’s usage of flashbacks, lighting, and color helps develop characterization in Edward Scissorhands and Big Fish.
In the first place, Burton uses high key lighting to create a bright, open and superficial scene without suspicion or suspense. For example, when looking at the neighborhood in the high key lighting
He makes the movies pull at the viewer's emotions, either in a happy, sad, or scary way by using framing, lighting, camera angles, music/sound, and editing. Tim Burton uses framing a lot to either show the detailed features of a person's face or to show their expression. During Charlie and the Chocolate Factory, he did a close-up on Willy Wonka’s face during one of his flashbacks to show that he was pained to think of his bad childhood. He also uses a close-up shot on Willy Wonka at the beginning to show how WILLY wonka looks. In the beginning of Edward Scissorhands, Burton used a close-up shot on Edward’s face to show all of his scars from his scissorhands.
Tim Burton, producer, animator, and director, most commonly associated with his darker horror and fantasy films, uses a array of cinematic techniques to display a message to viewers and keep them more engaged in the storyline. After a thorough analyzation of three classic Burton films Charlie and the Chocolate Factory, Edward Scissorhands, and Corpse Bride, one can come to the realization the Burton uses two techniques very effectively throughout each picture. These two techniques are, Music/Sound, and Camera Angles, and Burton uses them primarily to convey feelings to the viewers and keep them engaged.
In Burton’s films, the use of contrasting settings helps compare the protagonist’s home to the “normal” homes in society. For example, in Edward Scissorhands, Edward lives in a dark mansion. Burton uses an establishing shot and a zoom (in) to establish the darkness of the mansion, which reveals the mansion as a lonely place on top of a hill. The darkness of the mansion creates a sense of isolation for Edward. Beforehand, the audience saw another establishing shot, which was shot in high key lighting, of the neighborhood. The neighborhood is a bright community while Edward lives in the dark, alone. Those details help establish the difference between Edward and the rest of society. The audience also knows that Edward is used to being isolated in the dark. This is normal for Edward and he does not know that “normal” standards of society. This is what makes him unique. In the film,
His films include a variety of cinematic techniques to make his films seem quite unique. Burton’s expertise in using long shot, low-key lighting, and non-diegetic sounds drag people in so they can’t take their eyes off the screen. In Tim Burton’s films, certain behaviors and attitudes of the main characters tend to reappear throughout all of his films and cinematic techniques bring that out because the same techniques
Low Key lighting is used in Burton's films to set the scene to be dark and gloomy and never gives the scene a happy positive effect on the viewers. According to the New York Times Article he believes that the audience is scared of their own emotions and it inspires him to put all of his emotion into his films. What does it mean though? Maybe there is a deeper message in his films. He is trying to get the viewers to accept their own emotions and not be someone they are not. Through his three films it's easy to tell that Tim Burton enjoys making almost all of his scenes low key giving the effect of mystery while watching the film. In fact, he goes the extra mile by having very few
Tim Burton uses numerous close up shots in the film Edward Scissorhands, creating a mood of ominousness. When Edward (the main character) is talking to another main character (Peg) in front of the can opener, right before the flashback, there is a close up shot showing something will happen. Burton’s use of the close up shot adds to the scene by better showing Edward's facial expressions and how he is reacting right before the flashback. By using the close up shot the audience can see how Edward is looking uneasy which supports why the mood is ominous. As well as a close up shot, director Tim Burton uses eyeline in the film Charlie in the Chocolate Factory, producing a calm and peaceful mood. When the main character Charlie receives a coin from his bedridden grandfather to by a chocolate bar, he