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The Importance Of The Technicolor Process In The Animated Film

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The animated films of the 1930s and 1940s definitely took advantage of the new Technicolor process. For Disney in particular, it was the only colour process that he felt worked for his films (Telotte 48). Especially since the idea of animated films as feature films was relatively new at the time, there was a necessity for the differentiation of Disney’s films to live-action films so that animated films could be taken seriously. Disney used Technicolor to do just that (Telotte 48). Another, arguably more important reason for the use of colour in the animated films was the “still-developing Disney illusion-of-life aesthetic” (Telotte 48). The colours of the films were used to help portray a natural-looking world, one that would be believable to the viewer despite being animation. Higgins discusses that the preferred Disney aesthetic was that “artists favored pastels and saved strongly saturated hues for accents. Backgrounds were kept desaturated and cool to assure that the main characters would have chromatic prominence […] Disney artists were adept at coordinating color and drama,” (“Order and Plenitude” 299). Even though they preferred to keep it natural, the animators were able to experiment with Technicolour more than the colour directors of live-action films were. As discussed by Francine Stock, “…colour in both setting and lighting could accentuate mood or character – without aping reality,” (83-4). An example of one of these films that Disney was able to experiment with

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