The Ambiguity Of The Iconic

Religion has played a huge role in the history of the world of architecture. We can get a deeper look in the minds and attitudes of people when we look at their beliefs – specifically their religion. But even though religion played a huge role in the approach to architecture, the pursuit of beauty and power can also explain to us the approaches and the outlooks of those who built or designed buildings from the ancient world.

The Editors of Encyclopædia Britannica. "Baroque Architecture." Encyclopædia Britannica. Encyclopædia Britannica, Inc., 23 Nov. 2015. Web. 25 Apr.

The structure, approved and paid for by the city council, was a feat of amazing architecture on the part of Fillippo Brunelleschi. This was the largest dome created in that time and it was Brunelleschi’s ingenious design that won the commission against Ghiberti and other artists. The Church’s possession of grand cathedrals like this one served to demonstrate to the people the greatness of the faith and the power of God. There was a religious aspect to the construction of the immense cathedrals and basilicas; the people were paying homage to their god and constructing churches they felt were worthy for him. However, it was also somewhat political, as the grandeur of the churches was displayed to all the people in the city. No one could question the Catholic church’s might and colossal influence after viewing a cathedral such as the

As a little girl, I have always wanted to wield the red, white and blue recognizable costume of a famous heroine. I wanted to wear the tiara with silver metal bracelets and run around, playing with a rope that I would call my “lasso of truth” and immediately state that I was invincible. I, like many other girls, wanted to become the comic book heroine known as Wonder Woman.

Many architectural and urban forms and elements that we witness today are largely influenced by how buildings were design and laid in Rome. Not only in terms of its external design that brought upon important messages but the design of interiors and the significance of spatial arrangement of spaces exist within them has created the sense of physical experience in the buildings as well. Rome’s urban development and the rise of architectural movement began during the time of Augustus

Leon Krier was criticised for publishing a costly monograph on Albert Speer’s architecture (1985)in which, while acknowledging the crimes of the Nazis and the man, Krier nonetheless claimed the book’s only subject and sole justification was “Classical architecture and the passion of building” (cited by Jaskot, ‘Architecture of Oppression’, 2000). Discuss this claim, the controversy and the issues (historical, philosophical and ethical and possibly others) they raise. Can architecture, Classical, Modern or otherwise, be autonomous from politics and valued independently of the circumstances of politics and history that adhere to it?

This semester my paper will be discussing Christopher Wren’s building “St. Paul’s Cathedral”, and why St. Paul’s Cathedral is considered to be the most important and famous masterpiece of England’s architecture? The St. Paul Cathedral of Sir Christopher Wren was chosen because it is famously interpreted in the baroque style in England, and dominated English architecture. St. Paul’s cathedral is one of the most famous important building because it was built on an earlier church that was severely damaged in the Great Fire of London.” It is considered as one of the best symbol of English baroque architecture”. It was rebuilt and designed by Christopher Wren, who also rebuilt over fifty churches that were damaged in Great Fire of London. It is one of the tallest buildings of London. St. Paul’s is the most brilliant building that I’ve heard that it was done by a acclaimed artist in London after it was destroyed, and rebuild again.

St. Peter’s Basilica and La Sagrada Familia are structures with amazing architecture, but they are much more than just a structure. Both basilicas tell a story about not just the architects and their interests of certain architectural styles, but also about the history and story of Catholicism. La Sagrada Familia and St. Peter’s Basilica are not often compared due to the time in which they were built, as well as due to their different styles of art and architecture. However, despite their very different styles of architecture, they both serve Catholicism a similar purpose by uniting those believing in the Catholic faith in very similar ways by using these magnificent buildings as propaganda in a positive manner.

In this essay, I will not only be discussing at the connections between Renaissance architecture and cosmology as well as music, but also the what Renaissance architecture is and how it played a key part in architectural design today. The Renaissance period took place during the early 15th century to early 17th century, the age of Leonardo, Michelangelo, and Raphael. Architects of the time took inspiration from classical Roman architecture. This means it is an analysis of architecture in the ancient world, especially ancient Greece and Rome. What the Renaissance learnt from the Romans has how they used the space, looked at the form and had somewhat accurate measurements. And so, they copied elements and modified it, for example, many columns having a slightly intruded appearance on walls to give decoration to the building. They loved looking at the design and proportions and the mainly thrived in Italy during the early semester. It wasn’t until the latter years where Renaissance architecture started to spread throughout Europe, where many architects were fading from the gothic style previously used. However, large numbers of buildings incorporated a mixture of Renaissance and Gothic styles. A famous building built during the Renaissance period is St Peter’s Basilica, made in Rome, which was designed by many

Historical buildings play an important role in describing the social and cultural beliefs and values of a place of its establishment. People visiting the historic buildings are able to develop a proper insight into the community beliefs and practices that exist at the time of construction of a building (DuTemple, 2003). In this context, the present essay examines and evaluates the way in which the architectural building of ‘The Colosseum’ describes the societal and cultural values of Rome. In addition to this, the essay also demonstrates the technical and spatial features of the buildings and illustrates the way through the building is able to develop a language of classical architecture in Rome. The thesis statement of the present essay can be stated as ‘The extent to which the architectural building of ‘The Colosseum’ in Rome depicts the cultural and societal values and principles practiced in Ancient Roman Society’.

For this paper, I have chosen Michael Baxandall’s concept of the "Period Eye" that have previously explain before,and apply them to architecture. I believe that we can analysis architecture the same way we do with other works of art such as paintings. Baxandall suggested that cultural factors influence the visual characteristics that are favored at any particular time. I believe this is also true when it came to designing churches during the time of the Italian Renaissance. Certain architectural features were more desirable than others, while others are not. Like for example, you do not see many stain glass windows in Italian Renaissance as you do in French Renaissance. There cultural reason why stain glass windows were not use. I’ll be using

On his book on Modern Architecture, Curtis writes that modern architecture was faulted for it’s “supposed lack of ‘recognizable imagery’” towards the end of the 1970s. This statement supports the idea of Jencks’ double coding where architects must now make

Using the quote by Habermas as a starting point, select up to two buildings designed in the twentieth century and examine what ‘sudden, shocking encounters’ they have encountered, or created. Analyse the building’s meanings as a demonstration of an avant-garde, or potentially arriere-garde, position.

To understand the characteristics of Baroque style is to truly understand artistic measures of the sixteenth to eighteenth centuries. Baroque, a single word describing an entire period of art, can be broken down into more than one actual form of art. The new European age birthed this developing style of architecture, coming from ideas on religion and politics. Set apart in three different countries, visitors of St. Peter’s Basilica, Versailles, and Hampton Court Palace, engulf themselves in historic Baroque styles and beauty. The international style “was reinterpreted in different regions so that three distinct manifestations of the style emerged” (Matthews 392). The florid, classical, and restrained baroque design of the three different buildings gives us a historic lesson on the reasoning behind its purpose.

Architecture is a significant topic when looking at historical shifts of time periods, especially when looking at the artistic shifts that occurred in the transition from the Medieval period into the Renaissance. New forms of architecture are considered one of the most important achievements that formed during the renaissance era. The form of architecture developed during this period mainly originated from Greek and Roman styles. These reappearing ideas became present in modern times in many different ways. Many architects such as Bartolommeo Bandinelli would design dome creations used mainly in the cathedrals of Florence. Not only were these domes larger and more extravagant than ever before, they were engineered in a way that their acoustics are still being studied and replicated today.