Similarities Between Tim Burton And Edward Scissorhands

The same cinematic technique is utilized in Charlie and the Chocolate Factory. In the inception of the film, darker and paler shades of colors are emphasized in the scenery. Especially inside Charlie’s home. However, once inside the chocolate factory, conspicuous colors are introduced. Even though the factory seemed like an exuberant center, there was still a profound void inside the hearts of Wonka, the obnoxious children, and non-proficient parents, not including Charlie and his grandfather. They were lacking the warmth of family unity and self content amid impecuniosity, that Charlie and his grandfather possessed. One can discern that Burton’s style is highly influenced by his lighting effects which in turn affects the tone, mood, and imagery of the film. The sharp contrast of coloration, establishes symbolism, tone, mood, and imagery. Another apparent effect of lighting is the mood it synthesizes. During the scenes in which the figures are pale or low key, the viewer feels uncomfortable. The reverse occurs during the high key scenes. Without the implementation of high key and low key, Burton’s message would have never been fully apprehended in both of the films.

Tim Burton is one of the most unusual and unique directors of our time. He brings characters to life by putting them in a habitat they don’t belong. His movies “Alice in Wonderland”, “The Corpse Bride”, “Charlie and the chocolate factory”, and “Edward Scissorhands” all demonstrate how one of a kind his movies are. Using cinematic techniques, Tim Burton points out the misfit character and shows how different they are then everyone else. His use of camera angles, lighting, and sound give the viewers a different perspective on the movies, and help pick out the individual character.

second example of evidence is Violet, the little girl who makes all the trouble of making a very bad decision by chewing the three course meal gum. During the point in time she started to look like a blueberry and the camera angle started to lower. The scene achieved the desired effect when Violet appearance has control over Mr. Wonka by eating the gum. Therefor the angle lowering just made the purpose of the scene more noticeable. The purpose was she looked bigger than everyone

Burton manipulates shots/framing, editing, and music/sound to enhance the perspective of the audience and give them a meaningful and relevant story.

When a person watches a movie, and a scene with dim lighting shows up on the screen, that usually makes them feel tense and scared about what is going to happen next. Directors use cinematic techniques to convey feelings or connect with the viewer. In the movies Charlie and the Chocolate Factory, Alice in Wonderland, and Edward Scissorhands, Tim Burton uses flashbacks, diegetic and non-diegetic sounds, and high key and low key lighting to show a characters’ thoughts or past, create the mood of a scene, create suspense, and let the viewers know about the characters’ as if they personally knew each other.

In his work he uses close ups to really show how and every character conveys the motion likewise to an artist with a paint brush. In Edward Scissorhands Burton uses a close-up shot of Edward in the dark castle to really show how isolated he was and how scared he was to meet an actual person other than the Inventor. In CACF he has a similar effect with one of his shots. When Charlie finds the Golden Ticket we get a close-up of the happiness on his face as he reveals the

Within the film, Edward Scissor hands by Tim Burton, the composer uses film techniques to display distintivitvely visual. The impressive use of camera angles and camera shots both encompass the distinctively visual element. Camera angles are used to emphasise the characters view on certain scenes, for instance, when Edwards the main character is staring at Kim, a young girl who lives in the town. A eye level shot is used, to emphasise the emotions that Edward is feeling towards Kim, it also shows the deep scars that are on Edwards face, a sign of both pain and torment both from earlier on in his life but also towards Kim’s boyfriend, as deep down he knows things about her boyfriend that she doesn’t, deep down like his scars. The composer also uses camera shots to give the audience understanding of the setting. The use of long shot on the town which shows a fair amount of landscape is used to contrast between Edward’s mansion on the hill, being all dark and scary looking, but yet a town at the foot of the hill which is colourful, vibrant and peaceful looking. The composer used this shot, to show how such differences can be put aside each other, but the community

For example, during The Big Fish, the story about the witch’s eye, the angle from where the camera was, showing the house, it meant to make the audience predict what was going to happen. Another example would be in Edward Scissorhands when Peg first went into Edwards room when he was sitting in the corner in the dark. the lighting and framing worked together to create suspense and make the audience worry for Peg’s safety. But another technique that ties both of these techniques together to create the effects of the viewers would have to be

Tim Burton uses low angles, eye-level angles and high angles in order to contrast human and mans in a distinctive way as well as address the relationship between them. Additionally, he also uses closeup shots and medium shots to create mood and impression and at the same time, show that Edward and people of the neighborhood live in very different conditions. Both of these cinematic techniques leave the audience with meanings which justifies the theme of the movie. These methods of filming shape meaning as well as cause the movie to turn out as an interesting one. Some people might be somehow different than others by an extreme amount, but do understand that we still have sameness within each other, and they have no reason to be disliked

An example of this is when he uses panning in the scene where Starkweather is in the organ extraction room and is about to be killed so his organs can be harvested and delivered to his sponsor. Panning in this scene shows us all the robotic machinery and tools hooked up to Starkweather and the equipment around the room. This shows us how the clones are treated like a product and are not valued like a real human which reinforces the idea that cloning humans is medically unethical. Camera techniques are also used to help enhance other techniques such as the use of costumes. An example of this is when an ark shot is used to show us the size of the institute at the start of the film and how all the clones wear the same costumes. This shows us that the clones are not allowed to have a free will and choose their own clothing. This also helps us understand that cloning a human are medically unethical because it shows us that the clones are treated as an asset, not real

Ct 1 camera angle Low When Charlie walks up to the factory they give a low angle to show the massiveness of the factory, giving the effect of how small the children and their parents are compared to what Willy Wonka has done. In Edward Scissorhands during the aftermath of the movie Tim Burton uses a low angle while Edward is sculpting to show the snow that falls from it. He does to show that Edward is the reason that snow is able to fall just as when it did when Kim had danced in the snow before, he uses his talent to make something beautiful instead of something Evil. In Big Fish Burton uses low angle as Edward walks up to the giant to show how big he is compared to Edward, giving the effect of how as amazing as he seems Edward is still

Tim Burton uses a variety of camera angles and shots to introduce new and different characters and ideas in his films. For example, during the arrival of the golden ticket winners in “Charlie and the Chocolate Factory”, Burton chose to tilt the camera up towards the massive factory and tilt down on the characters to show the massive scale of the factory in comparison to the people. This makes the factory feel massive and alien to normal people, making the first impression of the factory close up feel uneasy and awkward. Another example in his film “Edward Scissorhands” first introduces Edward with an extreme long shot of his silhouette, hiding most of his face and body, but clearly reveal the scissorhands Edward yields. When compared with Peg,

Burton’s first directed film, Pee-Wee’s Big Adventure commenced his unique style of film directing. Burton ingeniously incorporates various film techniques throughout

His movies are heavily identifiable by the colors he uses in the landscape or characters as well as the characters clothing themselves. Two of his movies that stand out the most for this characteristic are Charlie and the Chocolate Factory and Alice in Wonderland. In both of the movies most of the scenes were all very bright and vibrant for the buildings and the surroundings of the buildings. Coloring of the characters clothing is a big part of this in his movies also. Willy in Charlie and the Chocolate Factory always wore bright and kind of odd clothing to show he was eccentric. Other characters in the movie always work dark and depressing clothing to show they were worse off than Willy. In Alice in Wonderland all the characters had bright clothing as well as their homes being brightly colored as well.

Every shot and angle in a movie has a purpose to show a meaning beyond the screen. The simplest thing in every movie has a meaning towards it to show the viewer something different. Tim Burton uses lowkey lighting and tilt to portray and communicate loneliness and sadness. Each and every one of his films uses similar techniques to communicate an overall messages about his characters.