Hollywood Is Bad News For Creativity Analysis

“You shouldn’t dream your film, you should make it”(Steven Spielberg). This quote was said by director and entrepreneur, Steven Spielberg. He explains that if you think about a cool idea for a movie, you should simply just make it. Spielberg did exactly that for some of his adventurous movies such as “Jaws”, “Jurassic Park”, and “E.T.” Steven Spielberg is a four star director and entrepreneur who has made billions of dollars in the movie industry. He got his big break after releasing a short film for Universal Studios which got him a permanent job (“Steven Spielberg” St James Encyclopedia). Steven Spielberg changed the landscape of the movie industry due to his four star, memorable movies, his amazing accomplishments, and all of the positive

“The biggest mistake we have made is to consider that films are primarily a form of entertainment. The film is the greatest medium since the invention of movable type for exchanging ideas and information, and it is no more at its best in light entertainment than literature is at its best in the light novel.” - Orson Welles

The art of storytelling is a primary foundation for human communication and understanding. Whether it is through myths — Greek, Roman, Egyptian, you pick — or wives tales or even Grandpa telling his old war stories, stories have power. Through technological advancements in the last 150+ years, there are multiple mediums to tell stories; film being the most potent medium used. Film has the power to not only entertain but enlighten too. Filmmakers have the ability to challenge and manipulate the power of the story through creative resistance; by exploring other elements of storytelling: location, voice, color, angles, rhythm, language, filmmakers can create dramatically different films out of the same story.

Hundreds of movies are released every year. Filmmakers try to create the next jaw-dropping movie that audiences will stand in line for hours and pay top dollar to see. The key to success is finding ideas that appeal to a mass audience. Viewers are the lifeline of any production company so making something for everyone is a savvy business move for the film industry. To cover all bases, there are over fourteen different genres of movies. Film making is not a solo effort. It is a collaboration between the actors, directors, producers and other key contributors. This combined effort or mise-en-scene includes all the elements of the film to include actors, backdrops, costumes, props and lighting used to meet the director’s vision

The growing influence of the film industry on the everyday lives of all people can be accredited to Steven Spielberg. Starting as a young, little known director, his unique story telling abilities quickly launched his career. After Spielberg’s first major debut of his talent directing Jaws, he became an unstoppable force in the movie industry. Steven Spielberg led to evolvement of the movie industry, societal forces driving movie plots completely altered showing more of the connections that are formed between people instead of the agenda usually pushed by directors.

In the late history of film, few individuals have truly made something so unparalleled that it could influence the entire business. Tim Burton has delivered an extraordinary measurement of movies that elevate the inquiry, is Burton one of these individuals? Might he be clever to merely be a ordinary, if topsy-turvy, producer who has figured out how to convince everybody he is phenomenal, or would he say he is the splendid visual craftsman who utilizes his abilities to make marvelous motion pictures? The director's part in present-day Hollywood is loaded with controversy. He has earned the status of auteur. Burton is a director who has had an effect—both in the business and on the silver screen goers—and whose movies, so uncommon in their honest

During the 1960s and 1970s many nations around the world had a film revolution where young filmmakers were making new and different types of movies, they called this movement a “New Wave.” Although Hollywood was was the film capital of the world, it also went through a movement where young directors were taking control of their films over the production studios, the films were reaching to younger audiences, and the films were generally more independent and had to be cheap. The reason for this “new wave” movement was because old Hollywood was losing money and it needed a new way of making films, it needed to be shaken up. Influence from all over the globe helped spark the American movement, the French, German, Latin American, and British New

According to Raftery, not only films are unsuccessful, but also appeared to be nearly non-existent, almost as if they have vanished once it releases for premiere to the public entertainment. On the other hand, other art forms involve creative and exclusive commercials, especially television. Individuals can spend multiple hours watching shows and not get caught up on all of the decent things due to the multiple options available. Appropriately, not all of these shows earned high ratings, but they definitely won the qualification, which is how online discussions and reviews are accessible. Today, people are discovering other appealing and favored things than available films at a local theater. Even though movies still make money, it still feels that they are short-lived and easily forgetful, which may be an alarming message to those especially devoted in a career in film. Raftery predicts that movies will someday comeback stronger than ever with improved content and

As the movie industry moved into the 80's and 90's a new and distinctive type of film emerged. This new style was the Hollywood studio blockbuster. As the studios began making more and more blockbusters a vacuum was created that independent film makers were happy to fill. Though opposites in style, they compliment one another in the main goal of Hollywood: making a profit. These two distinctive styles of film have simultaneously worked together to see the reemergence and recovery of the movie industry.

In modern society within the movie world, we can see which genres are the most striking and appealing to the audience. The genres that come to mind are adventure, action, fantasy, comedy, drama, horror and thriller. This essay will go over the how director, filmmaker, screenwriter and producer Peter Jackson makes practical and effective use of genre to shape and decorate his peculiar and original creative visual style into the filmmaking world. Most known for his work on ‘The Lord of the Rings’ Trilogy and other films such as ‘King Kong’, ‘The Lovely Bones’ and ‘Dead Alive’. With all his movies having one or all of the genres roles mentioned, we will see how they connect to each other and keep audiences involved with these high-demand genres

Have you been left thoroughly underwhelmed by the latest blockbuster? Did Terminator Genisys not deliver the electric jolt the 1984 original did? Did the new Spider-man movie conjure up strange feelings of Déjà vu? Well you're not just being nostalgic, production companies are definitely not making them like they used to. Today the film industry consists of Regurgitated storylines, Reanimated dinosaurs and Repackaged books, and it's only getting worse. Cinema should have a meaning, it should inspire you, educate you and above all make you think, sadly these traits are rare in films nowadays.

“After nourishment, shelter and companionship, stories are the thing we need most in the world.” (Pullman, year). Storytelling has always been at the heart of Hollywood cinema. Revisiting the theories of Propp we can see the difference between a films story and its discourse, a story is what is being told where as the narrative is how it is told - “[a story is] An account of a string of events occurring in space and time… a narrative presents an order of events connected by the logic of cause and effect” (Pramaggiore & Wallis, 2008) Thus, it is through a films narrative that Hollywood tells its audience the story. In Thomas Elsaesser and Warren Buckland’s book Studying Contemporary American Film: A Guide to Movie Analysis narration is described as “How information reaches the audience and is mentally or emotionally processed…the function of filmic narration is to guide the eye and cue the mind…” (Elsaesser & Buckland, 2002) Hollywood storytelling is a tradition, since the 1920’s it has followed the same basic structure, however in contemporary Hollywood cinema many creative filmmakers, through the development of characters and deepening of plots, have found fresh ways to explore how a story is told (Bordwell, 2006). One of the most interesting developments in contemporary cinema of the past twenty years has been the surge of mainstream films that have come to move away from the traditions of Hollywood narrative and have introduced more complex and challenging narratives.

‘How I Made A Hundred Movies in Hollywood and Never Lost a Dime’ completely changes how people view the industry of filmmaking, by providing the story of one man who battled against the odds and inspired generations to come. The novel chronicles the life and work of Roger Corman, a pioneer in the filmmaking industry. Filmmaking is a visual literature; just like how novels can change a person 's beliefs or perspectives, film can have a long-lasting effect on the audience it touches. Similarly, this is what Roger Corman accomplished with his movies. Although he initially had a little money, experience, and support, Roger Corman 's life has inspired and challenged generations of people. Furthermore, this book proves Gregory Currie’s belief that ‘Great Literature Makes Us Better’ by acting as “a particularly apt teacher of moral[s]” through widespread inspiration (Currie).

Following the release of his movie, Inception, The Guardian ran an article comparing Christopher Nolan to famed Hollywood auteur, Stanley Kubrick. Most readers subsequently reacted negatively to the article’s central premise. However, The Guardian’s readers concurrently began pondering another question: is Christopher Nolan a modern Hollywood auteur? According to many scholastic sources, Nolan should not even be considered for auteur status. Most of these naysayers point out that six of his eight feature films have been remakes, adaptations, or film franchises. However, upon closer examination, Christopher Nolan expresses a level of artistic continuity and control throughout his body of work that qualifies him for auteur status. This consistency and control is apparent in the composition of his workshop and in his plot themes and mise-en-scene.

Movies and the theater have been a long past time of people, but as technology and demand skyrockets, presentation of movies must change. The single blockbuster hits are in the past, as any substantially popular movie receives at least one sequel. Leading us to another problem, how to create and produce a continuous blockbuster series. At the forefront of this necessary revolution is Marvel Studios and their Marvel Cinematic Universe (MCU). Over the past decade the Marvel Cinematic Universe has revolutionised the way movie series and franchises develop and connect their plots to be successful.The shift in movie series productions is found in the way movies have been moving toward a less contained model to more free flowing interconnected