Film Review: Ride Along Two With My Friend

“Miss Representation” is a film released in January 2011, which shows the various ways the media represent women. In the short trailer it starts by showing quotes, various statistics, and input of various influential women, on how women are misrepresented in our society. Some statistics include on how women are vastly outnumbered by men in leading positions in the workplace and in government. It also claims that the media only uses women’s sexualized image for money, not because it is what consumers want to see in advertisements. For example, in a video explaining oversexualizing in young children Geena Davis comments, “…in G-rated animated films the female characters wear the same amount of sexually revealing

Sexual objection and non-sexual objectification were mainly measured in body exposure and body movements. The different areas of a woman’s body being displayed were used to operationalize the idea of sexual objectification. Similarly, camera angles such as panning down bodies and shots down shirts were tallied to create a solid definition of “sexualizing” for the purpose of this research. (see Appendix A and B)

Women are sexually exploited in the media. In today’s society if people watch television programs such as Chingy featuring Snoop & Ludacris – Holidae; Charlie's Angels; the Z100 commercial with Britney Spears; or Baywatch they will see that the feminine image is presented differently than the masculine. In these programs men are typically placed in sexual situations fully clothed, while women are presented in provocative clothing or less. The camera will frequently zoom in on body parts to focus on the woman’s buttocks, midriff, and legs. Society is still dominated by men who control what people see. As a result women are increasingly portrayed as sex symbols as a way for a media company to turn

Many television shows and commercials portray women as sex symbols. Women are seen in the media mostly as sex objects who exist primarily to service men. For example, there is an episode for American Dad that shows Steve stop his car while his is driving past a woman jogging just to take pictures. Steve says, “ Let’s get some from and don’t forget the rack.” Which in turn makes me feel uncomfortable in my own skin when I am out in public knowing that there are people out there that will only ever see women as sex toys. Another example, is the Carl’s Jr. commercials that show women in nothing but a bikini eating and licking slowly all over a Carl’s Jr. burger. This commercial disgusts me because women are far better

The Miss Representation documentary film by Jennifer Newsom explores how media contributes to the under-representation of women in influential positions. This message is portrayed by delivering content through media and technology as well as advertising partial and/or often degrading interpretations of women. The consequences are becoming more and more dreadful. In today’s world, composed of a million stations, people will tend to do more and more shocking things to break through the crowds. They resort to violent, sexually offensive, or demeaning images. Jean Kilbourne, EdD, filmmaker, Killing Us Softly Author and Senior Scholar Wellesley Center’s for Women states, that “it creates a climate in which

The movie, Brotherly Love, came to the theaters in a cape saving the public from a never ending trilogy of movies similar to The Notebook. In all honesty, it seems like Hollywood adapted Nicholas Sparks as the go to author to adapt story plots from. Whenever a new romantic film came out you can get bet your bottom dollar to sit through a film of old lovers who reconnected through a weird circumstance and spend the whole film trying to get back. The director, Jamal Hill took it upon himself to create a film that single handedly brought back the natural and pure essence of Romantic films. Brotherly Love brought a beautiful splash of melanin to the screen while bringing together minorities from different backgrounds. The film is set in Philadelphia, where the heart of the problems takes place in an all too familiar setting, the high school. Overbrook high is a place where many inner city kids can relate to since it highlights the two major problems that is very much evident and a problem around high schools today, drugs and crime. The separation of “The Hilltop” people from the “Bottoms” is all too common and the fact that the recent death of Omar from The Hilltop is still fresh you can almost sense a war arising.

Media influence has caused beauty to evolve into ideals that can’t actually be attained. In addition to this, women are objectified and seen as sex objects, being sexualized by men without consequence due to the normalcy the media has created for genders. In fact, men are even encouraged to sexualize women. During her TEDTalk, Kilbourne presented a photo of an adolescent boy wearing a shirt that stated “pimp squad,” showing how our society is comfortable with men sexualizing women from a very young age. In contrast, women are labeled as sluts or whores without even engaging in sexual activity. I, for example, have been called a slut for wearing leggings, merely talking to a guy, and even wearing shorts— in the summer.

In Rear Window, Hitchcock uses visuals in order to capture the perfect cinematic film and experience. We as the viewers identify with Jeff because much like how he is watching his neighbors, we are also speculating his life as a film. Our hero, L.B. Jeffries or “Jeff”, out of boredom creates an outdoor theater for himself by spying on his the people outside his window. Hitchcock uses “murder-as-entertainment” and the idea of watching a cinematic film as ways to captivate the viewers and make us subconsciously take part in intruding on someone else’s life. Hitchcock then punishes Jeff and the viewers for being “peeping toms” and casting our unwanted voyeurism on other people’s private lives. Through fear and embarrassment, Hitchcock puts our actions into perspective as we become self-conscious of our indecent objectification toward human lives.

In Miss Representation, many female actresses, news anchors, politicians, directors and producers talk about how females suffer a lot of social, political and economic inequalities in today’s society. There are double standards against women in magazines, on TV, in movies, the news, politics, and the workplace. The media is an influential part of modern culture. When women are portrayed as objects for men to use -- never as the protagonist or president -- and when female news anchors are objectified, this will cause girls of all ages to begin viewing themselves as objects. Girls grow up in a world where their voice does not count; where our culture does not embrace them in all of their diversities, where

The objectification of women does not exist in America as it does in other areas of the world. In fact, they perfect equality and prosperity of all genders in all places: Wal-mart, schools, and even Hollywood. Showing women what they need to look like gives them an image to strive for. In movies, girls always need saving but never saves. Girls here know what they have to look and act like in order to find success, unlike other countries where they have to pretend they aren’t anything at all. Being the person everybody wants is better than not being anybody at all. Hollywood allows few lucky girls to act like that person while also promoting that woman to others. Today’s Hollywood gives women an outline to not only who but where society allows them to be. In films today, there is an undeniable lack of women as main characters. Less than a third of women receives main roles out of 800 movies and 35,205 speaking characters (Smith). As in movies, it is imperative for women to hide in life. Let the men take the spotlight, and stay in the shadows. For example, in the 2016 election, a woman ran for president. Having intellectual thoughts and opinions does not make a woman more attractive, which proves why Hillary Clinton inevitably failed, especially to such a politically polished and more qualified Donald Trump. Hillary fools herself into thinking a girl stood a chance against a man if she only wore an ugly

Women are deemed as a “minority” yet make up 51% of the world population and in 2014 made up only 12% of protagonists in films. And that is just on-screen, the percentage decreases as you go farther and farther into behind-the-scenes positions such as directors, cinematographers, and writers. Add race and ethnicity and those characters' percentages decline even more (Lauzen, 2015.) Women in film and television are often portrayed with emphasis based on their body type and in advertisement are largely objectified. The large objectification and misrepresentation of women in the media has led to an offset psychological view of women from growing up to adulthood.

The documentary “Miss Representation” delves into how the media and society. The viewer is exposed to how the media builds an expectation of how women should look and act. When the media portrays women as the perfect weight, height, and behavior for the target audience, it lowers the self-esteem of the females watching that cannot hope to compare to a fictional character. Men exposed to these types of advertisement and entertainment are taught to objectify women. It distorts societies and male expectations of how real women should look and behave. The documentary also discusses the lack of female protagonists in television and movies. There is a distinct lack of female heroines in our world today. This shortage further diminishes the hopes

Women aren’t objects. They aren’t tools for making money, and they aren’t just pieces of meat. Women are human beings. They shouldn’t be demeaned or made to feel they must reach a ridiculously unreachable standard. In Jean Kilbourne’s film, “Killing us Softly” she describes how she feels about this topic. All too often, advertisers treat women as objects and exploit their sexuality for profit. This objectification is clearly displayed in the ads below.

Since the invention of television, the media and film industry has contributed to sexually exploit, and oppress woman of color, not only in America but also around the world. There is a great focus on women of color as sexual targets. This is deleterious to society because the media are creating social stereotypes for women of color that can occur in unhealthy social and physical habits. For example, Women of color are sexualized in particular forms perceived as animalistic and sexual with a firm focus on body appearance mainly the posterior. Sexualization has given women an ideal version of who they are supposed to be.

While several of his works dwell considerably on voyeurism, Hitchcock’s 1954 film Rear Window addresses it most directly. Not only does the film comment explicitly on ‘rear window ethics’, it also forces audiences to identify with the characters who violate them. No character in Rear Window is morally clean, and through several cinematic techniques, Hitchcock compels viewers to sympathize with nearly all of them. More than anything, Rear Window is a film about the audience’s complicity with ethically imperfect characters and their ethically imperfect behavior. This is particularly evident in two climactic scenes. The first scene creates a close identification with L.B. Jefferies, the main character and principal voyeur