Examples Of Archetypes In The Hobbit

When you think of a hero, is the first character to pop in your head a little hobbit named Bilbo Baggins? In most cases, people think of Superman or Hercules, but in The Hobbit, an unexpected hero emerges and changes the name for all heroes to come. The Hobbit is a novel about Bilbo Baggins and his journey, with thirteen dwarves and a wizard, seeking the treasure stolen by the dragon, Smaug. While on this unexpected journey, Bilbo and his companions overcome many obstacles to eventually get to the treasure and retrieve it. Throughout the story, Bilbo develops into a courageous man, who indeed, is a hero. Richard Tyre wrote an article, “You Can’t Teach Tolkien,” and he explains his theory in which he connects multiple story’s plot with six elements. The Hobbit, is assuredly a prime example of Tyre’s theory because it follows all six steps throughout the story simultaneously. The six elements are; “(1) those who hunt for treasure, (2) must go alone, (3) at night, (4) and when they find it, (5) they must leave some of their blood behind, (6) and the treasure is never what they expected” (Tyre 19). These elements are steps in which a character must take to emerge into a hero in the end. Bilbo Baggins is the hero in The Hobbit, but he doesn’t start off as the hero. He has always had heroic traits but throughout the novel, he pursues those six steps and in the resolution, he is transformed into an actual hero.

Every author wants their readers to be engrossed in the story whether it be that a character or characters are relatable in some way to the reader, the plot, or the story itself. In order to create the characters or even the plot line the author needs to make it interesting for the reader to read. Authors use multiple stylistic choices throughout their story, and the readers may not even know that they are reading over the choices useless they are purposefully looking for it. In J.R.R Tolkien's book The Hobbit, Bilbo Baggins is forced to accompany a group of dwarves: Thorin, Balin, Dwalin, Dori, Nori, Ori, Oin, Gloin, Bifur, Bofur, Bombur, Fili, Kili, and Gandalf the wizard. They start their quest to take back their homeland from the dragon Smaug. Throughout the story they experience many difficult tasks, such as walking through a forest that is infested with giant spiders, battling goblins that live in the mountains, and Gollum, a malnourished man in desperate need of a therapist. J.R.R. Tolkien utilizes indirect and direct characterization to help the readers understand the characters and help to justify their actions.

The Hobbit is a novel that is actually a prequel to the Lord of the Rings trilogy. In How to Read Literature Like a Professor, Foster explains a vast amount of archetypes. I will be applying the archetypes in the book “How to Read Literature like a Professor” to Bilbo Baggins’ journey.

By putting his life in danger Bilbo shows a true example of heroism. Though the dwarves were still skeptical of his abilities, they were starting to take into consideration of what Gandalf had said about this little hobbit. Continuing their adventure the group is attacked by goblins where they are eventually saved by Gandalf. Throughout the turmoil of the attacking goblins Bilbo gets lost in the caves and finds himself alone in the darkness. It is in this event when Bilbo finds Gollum’s ring. Gollum was a sickly looking creature that had been dwelling in the caves for many years. Bilbo used his wits to outsmart the creature by playing a riddle game with him and eventually made it to safety. Having Bilbo win the riddle game shows that his smart and witty mind aids him in becoming the hero. Bilbo wasn’t some tough strong stereotypical super hero, he used his smarts to outwit his foes and to triumph over evil. Though Bilbo at the time did not know the power of the ring that he had retrieved from Gollum’s lair (the power of invisibility), it was his heroic fate that he found it as it assist him in becoming the hero of the story. Fate has it that Bilbo will become a hero, but Bilbo also has the courage on top of his fate to get the dwarves out of life threatening situations.

One of the most apparent character archetypes used in this novel is the everyman, a simple, adventure less, commonplace character that is played by Bilbo Baggins. In the beginning of the story, Bilbo is the classic everyman that lives in the Shire, but is soon thrust into a world he does not understand. As the story progresses Bilbo fulfills the role of the hero all while making a full circle back to the beginning and thus completing the Hero’s Journey. Another important figure in The Hobbit is Gandalf, who takes on the role of both the herald and the mentor. Gandalf’s role as the herald is clear as he embarks Bilbo on his adventure in the beginning of the novel. His role as the mentor is a longer and more subtle one as he guides Bilbo through his obstacles while letting Bilbo overcome them himself. His dual role helps support the storyline in building the full circled journey. The shadow role and the threshold guardians create a conflicting force that rivals the protagonists. The shadow is portrayed as Smaug and can be referred to as the antagonist throughout the expanse of the book. Bilbo and the dwarfs entire journey is based on their rivalry against the dragon guarding the homeland of the dwarfs, The Lonely Mountain, as he stands in the way of what they want, "Bilbo was now beginning to feel really uncomfortable. Whenever Smaug's roving eye, seeking for him in the shadows, flashed across him, he trembled, and an accountable desire seized hold of him to rush out and reveal himself and tell all the truth to Smaug. In fact he was in grievous danger of coming under the dragon-spell" (231). The use of this character in the Hero’s Journey is what creates a story and adds the necessary conflict to create the plot and engage the reader with the momentum it builds. Threshold guardians play a similar role in gathering momentum,

The Hobbit is a fictional novel written by J.R.R Tolkien. The novel is about a hobbit named Bilbo Baggins who was approached by a group of dwarves who were in search of treasure in the mountains. Along the way, the group faced many obstacles and bumps in the road. On the contrary, Thomas C. Foster wrote a book, “How to Read Literature Like a Professor”, that gives students a bit of insight on how to understand what they’re reading, and it also helps students to figure out the true meaning of different situations and things that are written in literature. In the book, Foster went on to explain different archetypes that are typically hidden in literature. Some archetypes that Foster elaborated on were the hero’s quest, death, resurrection, and communion. Archetypes such as the hero’s quest can be applied to the the journey that is depicted throughout the novel: The Hobbit. Aspects of this archetype that will be discussed later include the quester, a destination, a stated reason to embark on the journey, obstacles along the way, and the actual reason for going on the journey.

Bilbo Baggins Is A Hero “A hero is an ordinary individual who finds the strength to persevere and endure in spite of overwhelming obstacles.” This quote by Christopher Reeves is a great description of Bilbo Baggins. Bilbo is just an ordinary hobbit. There is not anything exciting about his life. He lives in a quiet house, in a quiet town, with quiet people.

Do you think you could instantly become a hero, even if it wasn’t your decision? How would

Bilbo Baggins changes a lot in the novel The Hobbit. In the beginning he is a small peaceful Hobbit who lives in Hobbiton. He loves to keep things in order, and hates things that are disorganized. “Please be careful,” and “Please don’t trouble. I can manage” (Tolkein, 12). Then one day a wizard by the name of Gandalf comes and gives Bilbo the opportunity to go on an adventure. Bilbo turns his offer down, but the next day thirteen dwarves come to his house. They have meals together and they sleep at Bilbo’s house. Gandalf then convinces him to go on an adventure with them. Bilbo is many things, in the very begging he is flat, static, main, and he is the protagonist. By the end of the story he is round, dynamic, main, and he is still the

In The Hobbit by J.R.R. Tolkien, Thorin Oakenshield fits in the mentor archetype and helps the reader understand him by his behavior with his leadership to other dwarves, his drive that ultimately got him killed, and his decision-making that got his group through many challenges. Throughout the book, Thorin endures many different challenges throughout his journey. He was not the leader of the trek, but when Gandalf has to leave the journey for certain reasons, his job got far more difficult with 11 other dwarves and a hobbit around. He had to step up and be smart, and it must be done in a very profound way.

Sir H. Rider Haggard used many devices in this novel which are still used in today’s sci-fi and adventure thrillers. Haggard uses many archetypes - ideas which have been used over and over again to become a sort of prototype - through telling of this story. First, the story revolves around the archetype of the quest - complete with a treasure map. The characters must embark on a very dangerously long journey which brings them across a desert, through freezing mountains, and the risk of elephant stampedes. This quest through unfamiliar territory is very similar to many modern adventures.

The archetypes in Lord of the Rings and Star wars that I have chose for this essay are the Loyal retainer, The task, and light v.s. Dark. I will do a comparison of each movie with the three archetypes. In Lord of the Rings the loyal retainer is Samwise Gamgee, and in Star Wars the loyal retainers are Han Solo, C-3PO and R2-D2. The next archetype is the task. The task in Lord of the Rings is for Frodo to keep the ring safe and to keep others away who are tempted by it, to use it against Sauron.

Bilbo Baggins is one of the main characters of J.R.R. Tolkien’s The Hobbit. Being a main character in a story, especially an adventure story, typically comes with some pretty hefty responsibilities. More often than not, the main character is also the hero. A hero is defined as “a person, typically a man, who is admired or idealized for courage, outstanding achievements, or noble qualities,” and these are not necessarily qualities readily attributed to Bilbo Baggins (oxforddictionaries.com). This essay will look at three ways in which Bilbo contrasts the traditional characteristics of a hero and what transformations he ends up making to fit the mold more closely. It will examine his lineage, his strength, and his attitude as well as the changes he makes throughout the story.

Bilbo Baggins is a hobbit living in the Shire having a peaceful quiet life in his hobbit hole. One day after living a life of leisure and pleasure he is awakened by a rude knock on his door. In a matter of a few hours he will meet the people that changed his life for good. The Hobbit by J.R.R Tolkien is a story about a hobbit and his adventure. His adventure starts with a knock on his door by his old Friend Gandalf. Gandalf then promptly asks Bilbo”I am looking for someone to share in an adventure”(tolkien). Bilbo then denies Gandalf and continuous with his usual day until that night. When Bilbo is about to eat his dinner he gets a knock. He opens it to find two dwarves Dwalin and Balin. Bilbo 's shocked but invites them in. Bilbo does this eval times until he 's left with thirteen dwarves Dwalin, Balin, Kili, Fili, Dori, Ori, Nori, Gloin, Bifur, Bofur, Bombur, and Thorin Oakenshield. They then invite him on a quest that would change his life. During his quest he faces many evils and overcomes them all to become a hero.

The word “genre” is defined as a category of artistic composition, whether that art be painting, music, or literature. Genres are always defined by an origin point, the first and most essential example of its kind. In the case of literature, these are known as classical books. Novels and stories that are responsible for developing or popularizing a certain style, or theme. An easy example of a classical book responsible for creating genres could be The Hobbit. A fantasy novel written by J.R.R. Tolkien to entertain his children and keep track of the bedtime stories he continuously told them. Tolkien’s wonderous stories bore a new era of creation, seeing the continuation of the story in Lord of the Rings, and becoming the basis for modern fantasy