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English 125 Syllabus

Decent Essays

The concept of requirements for the English major at Yale University is based upon a desire to inform, and, as explained by the description of English 125 and 126 on the department website, are meant to provide: “generous introduction to the abiding formal and thematic concerns of the English literary tradition.” A resounding emphasis is put on the benefit the student will receive from the skills that the classes require. However, students would be able to “come away with a sharpened awareness of what it means to read with the attentiveness that great literature demands” regardless of the content of the syllabus, as long as there was a focus on close reading and form that was adhered to by the professor. The question that remains is: what is …show more content…

With a syllabus centered around woman poets, students would be exposed to more socioeconomically diverse group of poets. While the ‘major’ poets of the English 125 syllabus were all born into some degree of wealth, the women who acted as supplementary readings for the course were of more varied backgrounds. Isabella Whitney, for example, was born to a lower class English family. Her experiences in life are reflected in her poetry, and starkly contrast the poetry of the ‘major’ men. While the traditional male poets may not have had the same views, they were privy to a lot of similar experiences due to their class standing, and therefore tackled some of the same issues. To have a different viewpoint and style of writing in terms of not only gender, but of class, is crucial in the development of an English major. The current syllabus requires students to be complacent with the multitude under-developed female characters that are created through the eyes of men, and satisfied with the few women who are given deeper personalities, like the Wife of Bath in Chaucer’s Canterbury Tales. Such confining works lead to conversation that automatically focuses on the negative when it comes to gender—that women are disregarded and often powerless when depicted from the male point of view, unless they are overtly sexualized. From a modern stance, this is seen as a sexist and unfair representation, but based on the current material offered in English 125, it seems as though it is an injustice that must be dealt with to understand the nuances of pivotal English poetry. However, a deeper focus on women poets would eliminate, or at least add dimension to, this type of conversation. There is no reason why students cannot “recognize the powerful interactions of form and content” between Isabella Whitney’s “To her Inconstant Lover” and Shakespeare’s

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