Of all the Dead films, Diary of the Dead is by far one I enjoy the least. Not a sequel, but occurring at the same time as the original film, as you can hear some of the broadcasts over the radio. It feels disjointed with the other films as it feels like more a reboot than sharing any form of canonical order with the other films in the series. Another big issue I have is the found footage/documentary approach that the film takes. As it claims to be for us, to help us survive. The worlds ended and the internet would have been one of the first things to collapse. How are we seeing this and by the point that we would have seen it, chances are we already know all of this anyway. Rendering the very concept of film pointless.
The film opens with
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At this point Ridley and Francine decided to leave for Ridley's place as it has a sealed panic room where they can ride this out and extends the innovation to everyone there. Which none of them take him up on, Jason afraid for his girlfriend Debra goes to the dorms to find her. Where he finds her safe and unharmed, though she understandably concerned about her family who she has been unable to reach. So they decided to go check up on them, taking along everyone else... because the film needs characters? While en-route Mary runs over a group of zombies, though not believing the dead have returned to life stops the motor-home and attempts to kill her self by shooting her self in the head. Surviving the gunshot, the group rush her to the hospital. Where she dies and reanimates after it becomes apparent that the dead are indeed …show more content…
They feel paper thin, such as Tracy who's only defining trait is she's from Texas. Though this level of one dimensional-ism applies to the entire victim pool. With only Andrew Maxwell and that's a very shaky statement.
My main issue is in the other Dead films, the core aspect of what the movie is about it subtle. Here the message is not only blatant, but straight up repeated over and over. It doesn't happen if it didn't happen on camera, along with the constant need to point out Jason is disconnected by viewing the events through a camera. Going so far as to watch his friends nearly die because he refuses to set down the camera long enough to help.
Final thoughts, Diary of the Dead is mostly a hot mess. Nothing the film tries to congeals all the well and what few good parts it has are quickly passed over. Samuel being one of these aspects, how the Amish survive or handle the zombie Apocalypse is an amazing thing to cover. But the character is written off as quick as he's written in. This films only saving grace is that it isn't the final in the series.
The power of the story has been very much a part of the lives of humans throughout time. The story is able to bring the past to the present and the dead to the living. The story can make the blind see. The story is able to make others feel for events in time that they have never experienced. The story has a profound effect on both the teller and the audience. As the audience is thought to be the beneficiary or the storytelling process, the teller is able to relive the times of old, or even teach a valuable lesson to his or her audience. Thus, allowing both parties to gain something intangible throughout this process. In “The Lives of the Dead,” O’Brien conveys the importance of storytelling and imagination by suggesting that the dead can be brought back to life in the minds of the people who hear it.
There are three elements of film that are individually important, however when they are viewed as a dependent unit (one element depending on another) they become absolutely critical to a great film and the impending success or failure. These three parts are narrative, direction and cast. Films have been viewed as a success or failure based on their narrative being portrayed alone. Yet, direction, cast as well as narrative have a directly proportional relationship. Great director and a great cast with a mediocre script or storyline will produce a mediocre film. Any one of these elements can be less than great and it will negatively affect the others as well as the film. All of these and more displayed perfect balance in Night of the Living Dead. George Romero did a remarkable job of ensuring emotions were conveyed to their audience through the camera, as well as his brilliant use of mise en scene (which will be discussed later). Specific examples
Do you ever fear a zombie apocalypse; well in this book Plague of the Dead by Z.A. Recht it’s happening. The dead is slowly infecting the streets around the world the police forces tries to suppress the insuperable zombie horde. After a few months pass by the small an amount of the living try to survive with millions of flesh eating zombies. A military general and his group try to fight off the oncoming waves of the dead. Do they make it read to find out? This journal I will be living vs. zombies, time vs. everything and zombies vs. zombies.
Firstly, the authors all aim for a more intellectual audience that find horror stories entertaining. These articles were written for The New York Times and The Atlantic Monthly, which are both papers for very intelligent people. The New York Times and The Atlantic Monthly are both known for being very complex reads, so people must be very intelligent to understand them. Authors Guillermo Del Toro and Chuck Hogan use high vocabulary words such as “enthrone,” “pandemic,” and “archetypal” to show the difficulty of this reading. This
Die Hard, a film directed by John McTiernan, successfully utilized several aesthetics, which offered viewers various meanings throughout the duration of the film. Although the diverse meanings grasped by viewers may differ, it was clear to me that McTiernan effectively applied elements of cinematography and mise-en-scene that resulted in viewers being allowed to interpret a range of different meanings or functions of the elements.
In the novella The Body, author Stephen King makes an attempt to explain a story about losing innocence, only to be replaced by maturity and the corruption that comes with it. To do so, King revolves a story around a group of four boys who go on a life changing journey to find a dead body they heard about through the grape vine. Little did they know that pursuing this journey would eventually change them for the worse. In its entirety, the crux of the novella was to show how the experience of meeting death hands-on will pivot a person’s life and will either lead them onto a slippery slope or mold them in to a man soon to be. More specifically, King reinforces this theme beautifully by using light imagery during the
I saw a scary, awkward, and especially frightening looking ghost in the 3 AM movie, last summer. This movie was also named the Hour of Dead. In fact, it was about a hunted place “Rudra Mills” where a creepy looking girl ghost lived. The girl had a burnt face with long black hair that fell over her scary round white eyes which was very frightening. She had thin body always wearing short dress having holes in it. Her body did not match her big head having long hair that weighted a lot, which seemed like a very heavy thing is hanging on her or something that is not hers. Because of her weighted hair, she would always hung her head down to the earth and her white eyes filled with blood were visible and shining from far. Moreover, her big sharp
The Graveyard Book written by Neil Gaiman is a fictional book published in 2008. The setting in the beginning of the story is in a house in the middle of the night, but it very quickly transitions to a graveyard. Towards the end, the setting is all throughout the town, in which the house and graveyard are located. This book is written in the third person point of view. Having a third person point of view helps the author tell the story the way he wants to by not showing an emotional connection with the protagonist but still making the reader develop positive emotions toward the protagonist.
He saw there was no people around , "Anyone out there?!" he yelled. Not a word , nor a peep. He looked down the wall and heard snarling noises, and got frightened. Suddenly he saw the face of the creature of the night and it was a zombie. There had to be more out there and if not he had to warn others. It's been a year and Jason thinks he's the only one on the planet that Isn't stuffing his face with brains. Jason sets out on a qwest to find more survivors, defeat the dead and get America back to the way it was. Legend in the making, until next
The movie "Alive" is a shocking true story of an Uruguayan Rugby Team that crashed their plane in the middle of the Andes mountains. The Uruguayan plane crash carrying 45 passengers to Chile unfortunately resulted only with the survival of 16 students. Through a traumatic shocking experience, the movie reenacts the event of the crash. This movie demonstrates various examples of the importance of psychological and physiological needs in our daily lives. It also outlines how the survivors had to accomplish particular essential needs in order to ensure their physiological and psychological health. The movie "Alive" is a fascinating story that demonstrates heroism and faith through a team mainly consisted of teenage
But as Jack states, "When your death is rendered graphically, is televised so to speak,...you sense an eerie separation between your condition and yourself" (37,61,142). Death, when it becomes an impending part of Jack's consciousness, ceases to be a "professional matter" (74). Doctors become modern high priests, the only member of society capable of deciphering the "network of symbols, an entire awesome technology wrested from the gods" (142). Death, in many respects, takes on a life of its own, distinct from any particular individual; it becomes an observable, quantifiable phenomenon. This might account for the almost perverse fascination with television disasters, death existing at a safe distance. "Every disaster made us wish for more..." (64).
Shaun of the Dead is a 2004 British-French-American horror comedy film directed by Edgar Wright. Throughout the movie many characters are introduced which are, Shaun of Shaun, Ed, Liz, Pete, David and Diana, Parents Barbara and Phillip and Zombies. Shaun is an electronics store manager whose life is going nowhere. Shaun is not very unique but gets placed in unique situations throughout the movie. He has a mission he must accomplish. Ed is Shaun best friend, and his partner, he acts as a helper making sure Shaun achieves his goal. Liz is Shaun ex who Shaun is still in love with. Pete is Shaun co-worker .David and Diana are Liz friends who tag along and helped throughout the journey.
Death Sense is a story about people who do just that, either in small groups, alone, or in large communities, and what happens to them as the world continues to crumble under the weight of the zombie onslaught.
“Dead” has always been a part of language because of its traditional definition of life ending, which every person knows all too well. However, the meaning of the word dead has evolved through modern english slang to take on two more different meanings. The video associated with this document dares to identify, explain, and evaluate these two new definitions in a clear manner. While grabbing the viewer's attention and retaining it, dead is described with reputable sources, examples, and interviews with my roommates. It’s origin is enhanced by the negative outlook of the media and recent horrifying events that have swept this nation in the last decade.
When analyzing the black and white portions of the film Dead Again there are several observations that can be made. The first observation is that is less differentiation between characters by their clothing, and place in the story. One might say that this less obvious separation between characters results in